But changes were coming, and the Paris of Chappuy, Lambert, Koliker, and Bertrand was soon to give way to Nicolas Lupot (1758–1824), Francois-Louis Pique (1758–1822), and J.B. Vuillaume (1798–1875), where the oil varnishes of the Italian masters became the ideal. Varnish coating failure on a 19th-century Chanot corner-less violin, circa 1830.
Paolo: The first family, the first makers were in Cremona. The violin became all of a sudden sort of a revolutionary instrument. It was so powerful that everybody wanted to have a violin. Phoebe: The world's most famous violin maker, Antonio Stradivari, established his workshop here. Stradivari wanted to make his instruments expressive and loud.

Answers for italian violin maker, d. 1684 (5) crossword clue, 5 letters. Search for crossword clues found in the Daily Celebrity, NY Times, Daily Mirror, Telegraph and major publications. Find clues for italian violin maker, d. 1684 (5) or most any crossword answer or clues for crossword answers.

Italian Violin Makers. Anglo-Italian Publication Limited. London, 1964, ill. L'Esposizione di Liuteria Antica a Cremona nel 1937: Per La Celebrazione Del Bicentenario Stradivari. Comitato Stradivariano: Cremona, 1938. Cremona, 1938, ill. Meisterwerke italienischer Geigenbaukunst. Hamma & Co.. Stuttgart, 1932, ill. Emil Herrmann in Rare Violins
This article investigates the role played by the physician and violin maker Franz / Franjo / Francesco Kresnik in the discourse on violin making in the first half of the twentieth century. It also considers the effect of his presence at the Bicentenario stradivariano, the 200th anniversary of the death of Antonio Stradivari in Cremona in 1937, during the em>Ventennio—the two decades of

Francesco Rugeri (Cremona, b. c.1628; d. 28 October 1698), also known as Ruger, Rugier, Rugeri, Ruggeri, Ruggieri, Ruggerius, was the first of an important family of luthiers, the Casa Rugeri in Cremona, Italy. His instruments are masterfully constructed. His violins are inspired by Nicolò Amati's "Grand Amati" pattern. Francesco was the first

The stratospheric rise in popularity of the violin across Europe is witnessed from the 1650s onwards through the growth in violin making in a way that is perhaps more dramatic than is indicated through a musical history of composers and their works. In the preceding decades, Nicolo Amati was the only violin maker in Cremona of any note, but his
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    • famous italian violin maker from cremona